The power supply is taken care of by the included adapter. Device Type: Monophonic analog Basssythesizer Controls: Trigger, Sub Octave, Guitar, Octave, Square Wave, Attack Delay, Resonance, Start Frequency, Stop. Starting the Micro is indicated by a red diode, the stompbox is of course analogue and has True Bypass, so in the off state it will not affect the signal in any way. The second section, Filter Sweep, allows you to adjust the sharpness of the modulation (Resonance), the start and stop cutoff frequencies of the modulation (Start and Stop Freq) and its speed (Rate). Related to this is the Attack Delay control, which sets just the time it takes for the signal to reach maximum volume. If you don't have a manual and can't find the instructions online, PM me. Set the gain per the instructions in the manual. The first "saber" is the Trigger, which adjusts the sensitivity of the filter circuit, then there is the Octaver skeleton, where you can adjust the ratio of the volume of the original signal (Guitar), the tone an octave lower (Sub Octave) and an octave higher (Octave), part of this Voice section is also the Square Wave control changing the waveform of the sound curve, thus affecting the color, volume and attack. I use my EHX Bass Microsynth a lot in my cover band for Madonna, Cindy Lauper, Michael Jackson, Lady Gaga, etc. It's built to work best with your bass guitar. What this effect is used for may not be obvious at first glance, but after a while you'll realise that there's nothing complicated about it - the Microsynthesizer is a box that uses ten sliding controls to allow you to adjust the sound to your exact requirements. It is a typical Electro Harmonix effect - a durable metal chassis, which hides high quality electronics, a reliable solid switch and two cable inputs with 6.3 jacks. That's a simple way to describe this pedal. At £115, we can see many bassists getting plenty of gig mileage from this pedal - and having followed the anticipation for this unit online, we think many synth-hungry bassists’ prayers may have been answered.Simple, reliable, smart. The best bit about the Mono Synth is the price. The lower register notes offered by five-string basses are a challenge for units like this, but with some experimentation we found that there were certain synth types that this pedal tracked well with, even when grooving all the way down to the bottom of the B string. Naturally, active basses raise certain issues based upon the strength of their active circuitry and pickup output, so adjustments need to be made depending on your bass. The Sensitivity control works wonders when it comes to dealing with glitches based on your instrument’s responsiveness (or lack of it). Each synth setting is notably different from the last, so there are plenty of interesting options available to the player, all of which sound highly usable to these ears. The sound quality is quite stunning - possibly the most considered and thorough synth sounds we’ve heard using a bass guitar as a trigger. When you want to recall it, simply press the switch. The Bypass switch turns the effect on and off, while the Preset switch allows you to store a preferred sound for easy recall set the pedal as you require, press and hold the preset switch for three seconds and your control settings are stored. electro-harmonix Bass Micro Synthesizer Analog Microsynth ()ONLINE STORE J. Electro-Harmonix Bass Microsynth Pedal True bypass All analog design Design optimized for bass guitar 2-pole analog resonant filter 4 Voice mixer section. The manual gives you an easy-to-understand breakdown for each synth setting. The CTRL control has a different interaction with each synth setting, from decay and attack times to envelope filter resonance, sweep depth, oscillator volume and modulation rate. The Sensitivity control also has an effect on the sweep ranges of several synth effects. If your playing isn’t triggering the synth, turn the control up - but if you’re hearing ‘false’ triggers and resonance, turn the control down a touch. An LED indicator gives you a visual reference as to how ‘hot’ your signal is.
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